HIGH END TV - Cameras

HD CAMERA PACKAGES

Side-by-side comparision table click here

Large Sensor Cinema Cameras

Arri Alexa EV-PLUS

Sensor type: 1x CMOS (3.5k)
Record Media: Hard Drive / Solid State Drive
Native Resolution: 3.5k (Oversample to 1080p)

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ALEXA is unique in that it can simultaneously record Apple QuickTime/ProRes files, output uncompressed HD video or uncompressed ARRIRAW data. This output versatility makes it ideal for a myriad of productions and workflows from telenovellas to feature films.

As the best recording media for the QuickTime/ProRes files, ARRI has chosen SxS cards because of their high data throughput. Two SxS cards fit into a module on the camera's left side for convenient on-board recording and are hot swapable.

Two outputs which can be configured to 3G or 1.5G HD-SDI deliver an uncompressed high definition video stream with various options such as recording in 4:2:2 or 4:4:4 and ITU Rec709 or Log C tone mapping and color matrixes for unbeatable latitude in color correction.

The two recording links can alternatively be used to output the ARRIRAW T-link signal, which can be recorded by a number of certified third party on-board recorders. ARRIRAW is the only way to access the full potential of ALEXA's sensor which has color and dynamic range capabilities far beyond standard HD. ARRI's own ARRIRAW Image Converter (ARC) provides image reconstruction features for the Windows, LINUX and Mac OS platforms. As a result of long term corporate initiatives with key development partners within the ARRIRAW Partner Program, a number of post production tools can now natively work with ARRIRAW files.

These output formats are well established standards that integrate the cameras seamlessly into the existing HD infrastructure.

Combined with our Super Speed prime lenses, this camera offers unmatched 35mm depth of field and outstanding low light performance.

PL lens-mount is standard.

Sony F3

Sensor type: 1x CMOS (3.5k)
Record Media: Hard Drive / Solid State Drive
Native Resolution: 3.5k (Oversample to 1080p)

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The PMW-F3 is equipped with a newly developed Exmor Super 35 CMOS image sensor which offers creative shallow depth of field, similar to that of a film camera. This sensor has an extremely high sensitivity of F11 (ISO800) with a very low noise level (an S/N ratio of 63 dB). This is a significant advantage especially when shooting in low-light conditions or at night using only ambient light.
The PMW-F3 employs a PL lens mount that is standard for film cameras, allowing use of a virtually unlimited number of prime and zoom lenses for 35-mm film cameras. This greatly broadens the choice of lenses for a wider spectrum of creative expression. A PL lens mount adapter comes with the camera as standard. The PMW-F3 supports the Cooke/i Technology protocol, which enables the camcorder to communicate with the lens to obtain lens metadata such as focus and iris position. The ARRI LDS interface will be supported as well. This improves post-production workflow as lens metadata can be recorded onto an SxS card and brought into the post-production process.
The recording format and recording media are identical to the existing PMW-EX1R and PMW-EX3, and proven, high-speed, intuitive XDCAM EX workflow can be used with high reliability. This workflow offers seamless integration with leading nonlinear editing software.
The PMW-F3 has a small, compact body with a very modest footprint, and weighs just 2.4 kg (5 lb 4 oz). It offers mobility, flexibility, and cost efficiency. In addition, the camcorder’s power consumption is only 24 W, and about three hours’ recording can be achieved with only one BP-U60 battery.

The PMW-F3 has an HD-SDI Dual-link output connector which offers 4:2:2 1080 50/59.94p uncompressed signal output as standard. By using external recording devices such as HDCAM-SR recorders, users can achieve x 2.5 natural slow-motion playback in 1080/24p mode.
The PMW-F3 delivers a scalable external recording solution. When the RGB and S-LOG output option is added, RGB 4:4:4 baseband signal output is available for external recording devices such as HDCAM-SR recorders. A LUT (Look Up Table) function is also provided for monitoring purposes when S-LOG output is activated. The same option includes 3G-SDI output functionality. It enables users to select Dual-link HD-SDI or 3G-SDI depending on the connecting devices.
Another new feature of the PMW-F3 is the 3D-LINK option which is especially convenient for 3D stereoscopic shooting. Two PMW-F3 cameras can be controlled by one camera remote controller at the same time. The two cameras are connected with a special 10-pin cable that includes genlock, timecode in/out, and control line. Simultaneous control of the Iris and Focus functions of two cameras is extremely useful .

Panasonic AF100 Super

Sensor type: 1x MOS (1k)
Record Media: Hard Drive / Solid State Drive
Native Resolution: 2mp

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The AG-AF100 is a 4/3" large image video camcorder optimized for high-definition video recording for the film production community. The AF100 delivers the shallow depth of field and wider field of view of a large imager, with the flexibility and cost advantages of a handheld camcorder. The AF100 has the ability to use virtually any professional quality lens with the availability of Canon EF, Nikon F, and PL lens mounts. High End TV offers 2 main packages: a "Super Cinema" version which adds a PL lens mount, Ki Pro Hard Drive Recorder and Anton Bauer power system, and a basic run-and-gun package that offers SD card (AVCAM) recording, and a Canon EF zoom lens (24-70mm).
•		Large 4/3" "Best-in-Class" MOS imager with fast image scanning and optical and low pass filters that eliminate aliasing and moire while minimizing skew

•		Records in 1080 (60i, 50i, 30p, 25p and 24p native) and 720 (60p, 50p, 30p, 25p and 24p native, utilizing AVCCAM's highest-quality PH mode (maximum 24Mbps)

•		Variable frame rates in 24P, 30P and 25P in1080, up to 60P or 50p dependent on 60Hz or 50Hz mode

•		Uncompressed 4:2:2, 8 Bit HD-SDI and HDMI output

•		Six built-in, customizable Scene Files that can be utilized for instant, easy matching between multiple cameras

•		Built-in gamma curves including HD Norm, HD Low and High, Cine-like D, Cine-like V, B.Stretch

•		Four selectable color matrices including Norm 1 and Norm 2, Fluorescent and Cinelike

•		Color Phase and Saturation, Pedestal and Detail image control

•		Two card slots that support continuous (relay) recording. Relay recording means that with two 32GB SDHC cards you can record for 6 hours with automatic clip spanning across the two cards

•		SDXC Card compatibility -- with a 64GB SDXC card, you can record for 12 hours in PH Mode, and 48 hours in HG Mode

•		HD Video and Full Audio monitoring during record and playback with high-quality audio pre-amps at the input

HD EFP Cameras

Panasonic HPX3100

Sensor type: 3x 2/3" CCD
Record Media: P2 Card (AVC-Intra/DVCproHD)
Native Resolution: 1920x1080, progressive

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The AJ-HPX3000 is the industry's first native 1080p one-piece camcorder to capture master-quality high definition video. Featuring three 2/3" high density 2.2 million pixel CCDs, the HPX3000 acquires cinema-quality images in full-raster 1920 x 1080 resolution with 4:2:2 10-bit sampling using the advanced AVC-Intra codec. AVC-Intra, the industry's most advanced compression technology, is a professional intra-frame video codec with bit rates of 50 and 100Mbps, utilizing the High-10 and High-422 profiles of H.264 respectively. AVC-Intra provides high-quality 10-bit intra-frame encoding in two modes: AVC-Intra 100 for full-raster mastering video quality, and AVC-Intra 50 Mbps for DVCPRO HD quality at half the bit rate, thereby doubling the record time on a P2 card.

The HPX3000 also records in industry-standard DVCPRO HD at 1080 in 24p, 25p, 30p, 50i and 60i and can produce standard definition recordings in 50Mbps DVCPRO50.

Designed for movie, commercial and TV program production, the HPX3000 combines the ultra reliability of P2 HD solid-state recording with high-end features, including six advanced gamma settings, including Film-Rec mode (made popular by the VariCam), film-like shutter controls, intuitive film camera-like operation. It also features a built-in reverse scan that allows unique setups such as mounting the camera upside down or usage of an ultra prime lens or an anamorphic lens adapter to create a 2.35:1 aspect image.

With five 32 GB P2 cards installed, the camera records for up to 200 minutes in AVC-Intra 100 at 1080/24p, 400 minutes in AVC-Intra 50 at 1080/24p, 320 minutes in other AVC-Intra 50 formats, and 160 minutes in other AVC-Intra 100 or DVCPRO HD formats.

•		Native 1920 x 1080 imagers for 4:2:2 10-bit, master quality recording with built-in AVC-Intra codec

•		Selectable AVC-Intra & DVCPRO HD/50 codecs

•		Five-year warranty (1 year regular, plus 4 years extended upon registration)

•		24p, 25p, 30p, 50i, 60i formats

•		High sensitivity of F10 at 1,000 lux in 1080i and a minimum illumination of .064 lx (at +56db gain-up)

•		Advanced 14-bit Digital Signal Processing (DSP) circuit with A/D conversion and 12-axis independent color compensation and detail.

•		Chromatic Aberration Compensation (CAC) 1 function compensates for and reduces lens error that may appear with very high-resolution recording

•		Three-level Dynamic Range Stretch (DRS) function that varies the gamma correction to match the contrast within the image

•		Ultra versatility of P2 HD recording, including instant recording startup

•		Fast, flexible on-set workflow for immediate access to video content

•		Four channels 48-kHz/16-bit digital audio

•		Flip-out, 3.5-inch color LCD monitor

Panasonic HPX370

Sensor type: 3x 1/3" CMOS
Record Media: P2 Card (AVC-Intra/DVCproHD)
Native Resolution: 1920x1080, progressive

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The AJ-HPX370 is like the little brother of the HPX3000. With newly developed 1/3" high density 2.2 million pixel CMOS sensors, the 370 acquires cinema-quality images in full-raster 1920 x 1080 resolution with 4:2:2 10-bit sampling using the advanced AVC-Intra codec. Likely the best value camera we stock as far as price-per-dollar.

The 370 can also record in industry-standard DVCPRO HD at 1080 in 24p, 25p, 30p, 50i and 60i and can produce standard definition recordings in 50Mbps DVCPRO50.

•		Native 1920 x 1080 imagers for 4:2:2 10-bit, master quality recording with built-in AVC-Intra codec

•		Selectable AVC-Intra & DVCPRO HD/50 codecs


•		24p, 25p, 30p, 50i, 60i formats


•		Chromatic Aberration Compensation (CAC) 1 function compensates for and reduces lens error that may appear with very high-resolution recording

•		Three-level Dynamic Range Stretch (DRS) function that varies the gamma correction to match the contrast within the image

•		Ultra versatility of P2 HD recording, including instant recording startup

•		Fast, flexible on-set workflow for immediate access to video content

•		Four channels 48-kHz/16-bit digital audio

•		Flip-out, 3-inch color LCD monitor

hpx370

Sony F900R

Sensor type: 3x 2/3" CCD
Record Media: HDCAM
Native Resolution: 1920x1080, interlaced

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The highly respected HDW-F900 camcorder has now been refined into the next-generation HDW-F900R, offering a variety of further enhanced functionalities. The HDW-F900R camcorder records images in accordance with the CIF (Common Image Format) standard, which specifies a sampling structure of 1920 x 1080 active pixels (horizontal x vertical). Plus, as well as recording at 24P, the HDW-F900R camcorder is switchable to record at 25P, 29.97P progressive scan, and also at 50 or 59.94 Hz interlaced scan. The camcorder also provides a comprehensive range of features for creative shooting such as enhanced gamma features and colorimetry controls. Plus, the design of the HDW-F900R is highly compact and lightweight, giving users higher levels of mobility and comfort when shooting.

Specifications:	Detail:
Effective Pixels	1920 x 1080
Built-in-Filters	A: 5600 K B: 3200 K C: 4300 K D: 6300 K 1: Clear 2: 1/4 ND 3: 1/16 ND 4: 1/64 ND
Dynamic Range	(1080/60i mode) More than 85 dB (emphasis ON)
Shutter Speed	1/32 1/48 1/50 1/60 1/96 1/125 1/250 1/500 1/1000(s)
Pickup Device	3-chip 2/3-type FIT CCD
Spectrum System	F1.4 prism system
Sensitivity	f10.0 at 2000 lux 89.9 % reflective At 24 fps with a 1/48-second shutter speed (equivalent to a 180º film camera shutter setting). The exposure index is approximately equivalent to 300 ISO.
Lens Mount	Special bayonet mount

Input Connectors

Specifications:	Detail:
Audio Input	XLR-3-pin type (Female) -60 dBu/-50 dBu /-40 dBu/+4 dBu/AES/EBU
Microphone Input	XLR-5-pin type (Female) -60 dBu/-50 dBu /-40 dBu LPF 14 kHz: -8 dB
Genlock/Return IN	BNC 1.0 Vp-p 75 Ω
DC IN	XLR-4-pin type (Male) 11 to 17 V DC

Specifications:	Detail:
Weight	11 lb. 14 oz (5.4 kg) with typical ENG lens cassette BP-GL95 Battery
Power Requirements	DC 12 V (+5.0 V/-1.0 V)
Format	HDCAM
Application	Field Production
Imager	2/3" CCD
Operating Temperature	+32 °F to +104 °F (0 °C to +40 °C)
Storage Temperature	-4 °F to +140 °F (-20 °C to +60 °C)

Specifications:	Detail:
Test OUT	BNC (1) 1.0 Vp-p 75 Ω Unbalanced
HD SDI Out	BNC (2) 0.8 Vp-p Unbalanced
Headphone Output	Mini-jack 8 Ω - ∞ to –18 dBs variable
DC OUT	11 to 17 V DC Max. 100 mA

Panasonic HDC27H

Sensor type: 3x 2/3" CCD
Record Media: DVCproHD (L--size)
Native Resolution: 1280x720, progressive

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Our versions (H-generation) feature 12-bit digital processing
and higher sensitivity CCDs.

The AJ-HDC27 VariCam HD Cinema Camera brings variable frame rate acquisition to the DVCPRO HD product line up. This is the first high definition production camera that is capable of variable frame rate at the touch of a button. Individual frame rates may be selected from: 4-fps to 60-fps in single frame increments. Frame rates may be changed during recording. Designed as a high quality production camera, this native 720p camcorder can be used for 60-fps or the film-like 24-fps acquisition. When acquiring for 24-fps projects, higher than 24-fps operation can be processed for slow motion effects while slower than 24-fps operation can be processed to speed up motion. Additionally, the variable frame rates and related variable shutter speeds create some very interesting ghost like motion blur effects, warp speed zoom effects, and long exposure still shots typical of what one might see in music videos, sci-fi dramas and dream sequences.

The camera has the capability to emulate film's gradual transfer function performance (i.e. CineGammaTM). This function greatly increases the camera's usable dynamic range, especially in traditionally limiting areas such as highlight handling, which until now was a serious limitation for most HD cameras. CineGamma provides the user with a much closer approximation of film's renowned ability to maintain smooth image tonality even when gently compressing extreme highlights. Cinematographers are able through the CineGamma feature to control the camera's gamma transfer function to best optimize control over tonality, from extreme highlights to the lowest of shadow areas.

The AJ-HDC27 VariCam serves a triple role: 1.) as a 24-fps camera, 2.) as a standard 60-fps video camera, and 3.) as a variable frame rate special effects camera.

It is important to understand that only the camera section operates at variable frame rates. The VTR and the camera HD-SDI output operate at a constant 60-fps rate. If you set the camera for 60-fps with no shutter, the exposure time is 1/60th of a second and each camera frame is recorded once on tape. As soon as the frame rate becomes lower than 60, exposure time increases proportionally and redundant frames are recorded on tape. For example, if the camera operates at 30-fps, each new frame is recorded twice to ensure 60-fps on tape. 24-fps is a non-evenly-divisible frame rate and requires the classic 3:2 type pulldown frame sequence with one frame recorded three times and the next two times. As you see, this technique generates redundant frames used to pad the data to maintain a constant 60-fps on tape including both new frames and redundant (repeated) frames.

By keeping the VTR frame rate at 60-fps no new DVCPRO HD studio VTRs or specialized video monitors are necessary. By recording standard 720p60, tape can be run through a standard linear tape based post production chain, yet still deliver "film look" video. If a linear 24-fps post production process is required, material can be converted to D-5 HD 1080p 24-fps by the Panasonic AJ-UFC1800 or other 3rd party products. This process works by removing redundant frames. Various NLE systems now support editing with variable frame rates acquired with the AJ-HDC27.

•		Colorimetry - Standard color is compliant with SMPTE standards. To achieve a desired "look", an advanced color correction scheme utilizes a 12-pole color matrix that allows very specific colors to be set, especially when critical color matching is vital.

•		New Digital Signal Processing (DSP) - Offers a higher standard of precision color, detail and gamma processing to ensure optimum picture quality.

•		Assignable Scene Files - An externally accessible switch allows for easy access to any of three user-designed set-ups, each with programmable color, detail, gain and gamma. (Most commonly these switches are used for gain sets, leaving other presets in place.) [ L/M/H ]

•		Scene Files, Internal Memory - A selection of four separate camera set-ups -- plus one user standard-reference file -- are available through user menu access. These set-ups are stored in camera memory and updated as needed.

•		Scene Files, Card Storage - Camera set-ups can also be saved on a removable SD or Multi-Media Memory Card, allowing quick memory access to user-designed camera settings to achieve a particular look for given scenes. Also useful for matching multiple cameras with the same "look". Up to eight scenes are saved on this card.

•		Simple Cinematic Settings - Provides for superior versatility in a single camera system when the Film User Menu is chosen.

•		User 1 / User 2 - Two externally accessible, user-assignable switches provide direct access (on or off) any one of six operational functions, including Super Gain, Super Black, Black Stretch, Super Iris, and Audio 1 & 2 (for viewfinder display) plus pre-selected frame rates.

•		Wide Lens Selection - Offers the ability to capture superb images with a wide selection of lenses including todays newest HD technology lenses and a large variety of existing prime lenses.

•		White Balance Selection - Select between two programmable automatic white balance conditions (as set by the user) and one preset that can be set for either 3200° or 4300° Kelvin. This feature comes in very handy when moving quickly between dissimilar ambient lighting conditions. [ Preset/A/B ]

•		Wide Range Gain - When shooting in wide-ranging light-level conditions, a programmable gain switch can be set to optimize signal levels -- choose from -6 dB to +30 dB in thirteen steps.

•		Low Power Consumption - A moderate 33 Watts power consumption (39 Watts typical) means a good battery life can be realized. Expect about 1.5 hours from a HyTron 100 battery. The camera runs cool and does not employ a fan, assuring quiet operation.

•		33 Minutes Record Time - Employing the large DVCPRO Cassette, a recording time of 33 with 18 micron recording format.

•		Three 1.1-Million Pixel CCDs - True to high-definition standards, these extraordinary 1280 x 720 CCDs are the key ingredient in creating rich images.

Panasonic HDX900

Sensor type: 3x 2/3" CCD
Record Media: DVCproHD EX (M-size)
Native Resolution: 1280x720, progressive

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This full 2/3" DVCPRO HD camcorder records pristine 100Mbps HD images in any of 11 video formats, encompassing 60Hz and 50Hz production. The versatile, cost-effective camera provides higher-quality 4:2:2 intra-frame recording that holds up through layers of special effects, graphic overlays and constant editing and processing. Collaboration and content exchange are essential in sports production, cable shows and reality TV -- and nothing maintains the original image integrity and sound quality like DVCPRO HD. With 1080i, 720p, 24p and 25p capabilities, the AJ-HDX900 is perfect for long-form HD programming and an invaluable tool for digital cinematography, cable and television production in any format, sports and events, for globetrotting documentarians and feature crews, and for the rental companies that serve them.

•		Full-size 2/3" CCD block provides superb low-light performance and compatibility with all manufacturers 2/3" lenses for ENG, EFP and digital cinema production

•		Multi-format recording system that supports 1080 at 59.94i, 50i, 29.97p, 25p, 23.98p, 23.98pA and 720 at 59.94p, 50p, 29.97p, 25p, 23.98p

•		14-bit A/D DSP circuits that provide optimum picture quality, color reproduction and luminance gradation

•		Superior 4:2:2 color sampling and independent frame compression

•		Records for 33 minutes on a DVCPRO medium-size cassette with 48kHz/16-bit digital audio on all four channels

•		Three CineGammaTM modes to replicate the look and feel of film

•		Built-in IEEE 1394 digital output helps lower the cost of HD production by allowing you to directly transfer HD video to nonlinear editing systems or other VTRs

•		Standard HD SDI output is included for monitoring and line recording

•		Built-in downconverter produces a SD output, allowing the use of low-cost SDI accessories

•		Outstanding low-light shooting down to 0.032 lux (at+62 dB gain)

•		Compatible with a wide range 2/3" quality lenses and accessories

•		Two 4-position optical filters (ND: clear, 1/4, 1/16, 1/64; CC: Cross, 3200K, 4300k and 6300K)

•		Electronic shutter (1/100 to 1/2000 sec.) with synchro scan shutter (1/60.3 to 1/249.8 sec.)

•		Teams with Panasonic's new AJ-HD1400 compact DVCPRO HD VTR to form at high-performance, mobile acquisition-through-editing system

Sony EX3

Sensor type: 3x 1/2" Exmor CMOS
Record Media: XDCAM-EX (SxS)
Native Resolution: 1920x1080, progressive

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The PMW-EX3 compact camcorder with an interchangeable lens system incorporates three ½-inch type Exmor™ Full HD CMOS sensors, each with an effective pixel count of 1920 x 1080, delivering stunning-quality HD images in 1080P, 720P, and 1080i HD resolutions. A rich variety of features for creative shooting are incorporated into this camcorder such as “Slow & Quick Motion”, which is also commonly known as “over-cranking” and “under-cranking”, selectable gamma curves, slow-shutter, interval recording and Picture Profile™ feature. Additionally, the PMW-EX3 offers a convenient remote-control and multi-camera operation capability, which allows use with high-end camera systems.

Key Features:

½-inch interchangeable lens system
Genlock in
Time Code in/out
8-pin remote control for studio operation

Canon XLH1

Sensor type: 3x 1/3" CCD
Record Media: HDV tape, Firestore (HDV)
Native Resolution: (unknown)

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Its superior Canon optics and exceptional image processing give you a brilliant HD image. The XL H1 also features uncompressed HD-SDI (SMPTE 292M) and SD-SDI (SMPTE 259M) output, as well as Genlock input and SMPTE time code input and output for multi-camera shoots. And, with its customizable open-architecture approach, selectable frame rates including 24F, and multiple output options, you've got exactly the right tool -- every time.

The XL H1 features total Cine control, customizable settings and a well-balanced design for the creative control, flexibility and advanced capability your video work demands.

Power Supply (rated)	7.4V DC (battery pack)
Video Recording system	Two rotating heads, helical scan azimuth recording, HDV: HDV1080i; DV specifications (Consumer VCR SD specifications)
Audio Recording system	DV: PCM digital recording: 16 bits (48 kHz/2 channels), 12 bits (32 kHz//2 channels) selectable. 12 bit/synchronous (32 kHz/4 channels) is possible HDV: MPEG1 Audio Layer II: (Sampling frequency 48 kHz, bit rate 384 kbps/2 channels);
Image Sensor	Size 1/3", approx. 1.67 megapixels per CCD, CCD x3 (charge-coupled device) with horizontal pixel shift. Effective pixels: HD approx. 1.56 megapixels, SD/4:3 approx. 1.17 megapixels, SD/16:9 approx. 1.56 megapixels
Tape Format	Video cassettes bearing the MiniDV mark
Tape Speed	HDV/DV: SP mode: 0.74 ips (18.81mm/second), DV, LP mode; 0.49 ips (12.56 mm/second)
Maximum Recording Time (with an 80-min. cassette)	HDV/DV: SP mode 80 min. DV:LP; 120 min.
Lens Mount	XL interchangeable lens system
Focusing System	TTL autofocus. Manual focusing possible (20x zoom XL 5.4-108mm L IS II installed)
Minimum Focusing Distance	20mm (Wide macro), 1m (entire zoom range): (20x zoom XL 5.4-108mm L IS II installed)
Minimum Illumination	60i, 1/60 shutter speed = 7 lux; 30F, 1/30 shutter speed = 4 lux; 24F, 1/48 shutter speed = 6 lux
Filter Diameter	72mm (XL lens)
Viewfinder	2.4-inch (wide type) color LCD; Approx. 215,000 pixels
Microphone	High-performance MS stereo electric condenser microphone
Recording Media	SD, MMC
DV Terminal	Special 4-pin connector (IEEE1394 compatible); both input/output
Video Terminal	(a) Also serves as RCA pin jack (yellow); both input/output (b) Also serves as BNC connector; both input/output
Output Levels	Max. -10 dBv (for 47 kohm load)/3 kohm unbalanced
S-video Terminal	4-pin mini-DIN; both input/output
Audio Terminal	(a) Also serves as RCA pin jack (white/red, L/R) both input/output (2 systems) (b) XLR 3-pin jack (2 systems); switchable between MIC/LINE
Audio	Auto Mode, Gain 18dB
Microphone Terminal	3.5mm stereo mini-jack
Operating Temperature range	32-104° F (0-40° C)
Dimensions	8.9 x 8.7 x 19.5 in. (226 x 220 x 496mm)
Weight (not including lens and battery pack)	5.4 lbs. (2435g)
Weight (fully loaded)	8.3 lbs. (3750g)

	DSLR Cameras

Canon 5D MKII

Sensor type: 1x CMOS
Record Media: CF Card
Native Resolution: 21.1 Megapixel (oversamples for 1080p)

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Full Spec Sheet

By default, High End TV includes the Zacuto Z-finder for improved video operation and focusing, and the Canon L-Series 24-70mm Zoom lens. Zeiss ZF Primes are also available with this camera.

Sensor 36 x 24mm CMOS
Bit Depth 14-bit
File Formats RAW, JPEG, MP4
Lens Mount Canon EF mount
SensitivityISO 100-6400 (expandable to 50, 12800, and 25600)
Video Recording Video with Audio, NTSC & PAL Output
Video Resolution 1920x1080 @ 30fps, 640x480 @ 30fps
Video Clip Length12 min. HD / 24 min. SD or 4GB
Connectivity USB 2.0 (mini-B), A/V Out, HDMI (Type C), Stereo mini input